Photographe Commercial a Montreal

Canada's 100 Best Restaurants - Photos By Allen McEachern

By Allen McEachern.

During the dark winter days of January I was engaged by Canada's 100 Best Restaurants Magazine to complete an assignment to cover restaurants in Montreal and area for inclusion in this year's publication. My mandate was to create a mix of editorial style images of food, dinning room interiors, and portraits. I had the great pleasure of meeting and working with some of the most front facing culinary professionals in Montreal. The final ranking results are in, the winners announced, and my photos are live and published. Here are a few of my favourite shots and links to their position on Canada's 100 Best Restaurants.

#2 Toqué! - http://canadas100best.com/no-2-toque-2017/

#3 Joe Beef - http://canadas100best.com/no-3-joe-beef-2017/

#22 Cabane à Sucre au Pied de Cochon - http://canadas100best.com/no-22-cabane-a-sucre-2017/

#38 Maison Boulud - http://canadas100best.com/no-38-maison-boulud-2017/

#56 - Le Club Chasse et Pêche - http://www.leclubchasseetpeche.com

A Powerful Marketing Tool for Photographers

By Allen McEachern.

I have been working as a commercial photographer since July 2004. I have been using Photoshelter as one of my business tools since 2005. Originally, Photoshelter launched as a searchable on-line storage / archive coupled with an image stock agency. Today, Photoshelter offers on-line storage for serious photographers. Their site is searchable by keyword, so buyers can find your images. Here are some of the other things that I love about using their platform in my business mix...

1. Client Proofing Galleries...proofing galleries that I can share with multiple people. Each person has a login and their choices are unique. I can then review all the selected images - seeing which choices are mutual.

2. Image Delivery...I use Photoshelter to share images with clients through galleries. All the images can be downloaded in a batch or individually. There are multiple file sizes available, each automatically generated from my master file. This saves a lot of time when multiple people need access to the images.

3. Unlimited Searchable On-line Storage...all pro accounts come with unlimited storage. I can upload my entire archive and remotely access it anywhere in the world. RAW, TIFF, JPEG, PSD, etc. etc.

4. Customizable Website Templates... Photoshelter offers a lot of template options for websites. I can have a custom domain name, or a hosted domain with Photoshelter. Personally, I use this option as a add on to my portfolio site, a keyword searchable archive with a e-commerce back-end. http://archive.allenmceachern.ca 

5. On-line Store...I use Photoshelter to sell images, prints, and digital downloads of rights managed stock. Clients can order prints and check out. Clients can license images and check out. There are so many options for print vendors and products. My store is always open, and it is global.

These are only a few of the many powerful features available to professional photographers via Photoshelter. If you would like to find out more please click this affiliate link to learn more.

http://www.photoshelter.com/referral/AL6MC9BK5Y

SOLO PHOTOGRAPHY EXHIBITION - ABSTRACT NATURE

On July 30th, 2015, I will present my first solo photography exhibition in 8 years. I am really excited. I have partnered with the wonderful wine bar / book store Les Mots located in the Old Village of Mont-Tremblant. The exhibition is title ABSTRACT NATURE and will include 11 images from this on-going series. Six of the eleven images will be printed at 32"x48" and five images will be sized 20"x30". All of the images are direct prints on acrylic. To help cover the cost associated with printing and exhibiting this series I am using KICKSTARTER  to raise funds. 

If you would like to find out more about my project, or to make a contribution to my campaign please click here.

Here are a few of the larger images I will be presenting...

 

5 Tips for Starting Photographers

By Allen McEachern

1. Follow Your Passion, Not The Money

I made the mistake of starting my photography career in debt, fresh from a return to university. I then moved to a part of Canada that I had never been to, where they spoke a different language. I know, not the brightest, but it happened. As a result of this I had to chase the money a bit more than I would have liked. I shot a variety of subjects for a wide base of clients. I never turned down a photo job for the first few years. The positive was that I experienced a variety of revenue streams within the giant realm of photography. The negative side was I was not following my passion, and it showed in my work. I should have followed my passion. I lost two years that could have been better used developing my niches. Specialist = deep niche. Generalist = wide market spread. Both work, one is more profitable.

2. Assist An Established Photographer Who Shoots What You Want To Shoot

I read that approximately 9000 people graduate every year from photo related studies in Canada. I don't know if this is true, but it seems possible. Lets assume it is true. How many of those graduates would do a paid masters degree if they could? To me, this is what it is to assist an established professional photographer. I suggest two years if you can handle it. Assisting will teach you more about what you already know. You will also learn about operating a studio, and how to treat clients. Your knowledge of customer service, value creation, networking, pricing, licensing, and negotiating will increase. For me, the time was hard, because I didn't want to mop floors, but I learned a lot that I might not have gained otherwise. 

3. Invest In Learning About Business, Marketing, and Sales

Lets go back to those 9000 graduates. They all learned about lighting, cameras, lenses, post-production, shooting styles, etc. How many learned best business practices? Did they study contract negotiation? What about licensing their work, marketing, sales, small business financials, investing...the list goes on. The reality is as a photographer you need to be a business person, even if you take a staff job somewhere (if these even exist anymore). The more you can learn about business the better off you will be. Do you have a marketing plan, a business plan, a financial plan? The public library is a great place to start. I would recommend ASMP's "Professional Business Practices in Photography" as a good entry read. ( http://www.asmp.org)

4. Buy The Equipment You Need, As You Need It

I see photographers all the time who have gone to the camera shop, loaded up the credit card and filled their bags with everything cool. New lenses, the best flash, the big cameras, and so forth. We all love the gear, but start to act like a business. Buy what you need, as you need it.  I always look through the local classifieds first. Sites like Craiglist, Kijiji, and others are a great starting place for good gear. I stay local because I want to be able to meet the seller in person and see the gear first hand. Think back to those 9000 grads...how many went on to start photography businesses or careers? How many of them went broke? How many of them are selling their equipment to pay off their debts? My last word on gear is this...save for the equipment you need. I know I will need to replace my computer every three years, my cameras every two years. I plan for this. I bank 10% of every contract right of the top and invest it in a small term deposit account that pays about 3% interest. This account is there for equipment and other business emergencies.

5. Insurance

Protect yourself, your clients, your equipment, your studio, your health. Commercial insurance is a must. I know it sucks to pay, I have paid about $1000 / year since 2005. But I sleep better, and work better, knowing I am completely covered regardless of what happens. There are many options available to photographers. I recommend policies that cover the replacement of your equipment along with commercial liability. I have a worldwide coverage for 365 days a year. No matter where I am in the world, I'm covered. Shop around for the policy that meets your needs. Speak to other photographers. Contact photographer associations such as EP, CAPIC, ASMP, NPPA, and so on...

Do you have something to add? Resources to share? Please feel free to leave a comment.

Good Luck!

Food!

By Allen McEachern

Shot for an editorial in Mont-Tremblant, Quebec. 

Marche Jean-Talon, Montreal

2014 FIS SNOWBOARD WORLDCUP - HALFPIPE FINALS

Halfpipe Finals - Stoneham